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3:10 To Yuma is about a small-time rancher agreeing to escort a captured outlaw who's awaiting a train to go to court in Yuma. Driven by it characters rather than a conventional goal. Yuma 1.1 by John Studden: John Studden's Western style font was inspired by the opening credits of the original 1957 classic film '3:10 to Yuma'. Font includes 8 alternate characters. You might also like: Western Rose & Riverboat.
The plot is so easily told that Elmore Leonard originally wrote it as a short story. A man named Dan Evans (Christian Bale), who lost a leg in the Civil War, has come to the Arizona territory to try his luck at ranching. It's going badly, made worse by a neighboring bully who wants to force him off his land. The territory still fears Indian raids, and just as much the lawless gang led by Ben Wade (Russell Crowe), which sticks up stagecoaches, robs banks, casually murders people and outguns any opposition. Through a series of developments that seem almost dictated by fate, Dan Evans finds himself as part of a posse sworn in to escort Wade, captured and handcuffed, to the nearby town of Contention, where the 3:10 p.m. train has a cell in its mail car that will transport Wade to the prison in Yuma and a certain death sentence.
Both Dan and Ben have elements in their characters that come under test in this adventure. Dan fears he has lost the confidence of wife Alice (Gretchen Mol) and teenage son Will (Logan Lerman), who doubt he can make the ranch work. Still less does Alice see why her transplanted Eastern husband should risk his life as a volunteer. The son Will, who has practically memorized dime novels about Ben Wade, idealizes the outlaw, and when Dan realizes the boy has followed the posse, he is not pleased. Wade intuits, however, that the boy is following him, and not his father.
That's an insight into Wade. He plays his persona like a performance. He draws, reads, philosophizes, is incomparably smarter than the scum in his gang. Having spent untold time living on the run with them, he may actually find it refreshing to spend time with Dan, even as his captive. Eventually the two men end up in a room in the Contention hotel, overlooking the street, in earshot of the train whistle, surrounded outside by armed men who want to rescue Ben or kill him.
These general outlines also describe the 1957 version of '3:10 to Yuma,' directed by Delmer Daves, starring Glenn Ford and Van Heflin in the roles of the rancher and the outlaw. The movie, with its railroad timetable, followed the slowly advancing clock in 'High Noon' (1952) and was compared to it; when I saw it in 35mm at Telluride in the 1980s, I thought it was better than 'High Noon,' not least because of the personality shifts it involves.
FIRST LOOK: 3:10 TO YUMA
From And the Winner Is…
Last night, the Boston press corps was treated to the nation’s first screening of the recently completed 3:10 to Yuma (minus credits), the James Mangold-directed western starring Russell Crowe, Christian Bale, Ben Foster, and Peter Fonda. We were joined at the theater near Fenway Park by Fonda, who sat one seat in front of me, and Foster, a few seats to his right, both of whom were also seeing a finished cut for the first time. (I had an opportunity to interview both this morning, so expect a post soon.)
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Richard Stim Talks Elmore Audio
Richard Stim aka Nolen on the Dutch Forum, writes about his love for Elmore Leonard audiobooks in the August/September issue of AudioFile magazine. Visit Richard’s audio site, Dutch Treat.
Download the PDF here, or at the FTP site, here.
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EXCLUSIVE - World Class Detroiters - Elmore Leonard
Emery C. King and Tom LoCicero have allowed us to upload to YouTube, and present to you a website exclusive, of their fine, short video profile of Elmore Leonard, first aired on WDIV Detroit at 7 PM on June 23, 2007. A Kingsberry Production.
Part 1
Part 2
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Part 3
Part 4
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“Yuma” previewed at Comic-Con
Yesterday afternoon at Comic-Con in San Diego, Lionsgate put on a Special Preview Panel for 3:10 to Yuma with clips from the movie. Peter Fonda and Ben Foster led a discussion with the topic heading, “A modern take on the classic western.”
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George Gregan is Coming
Sydney Morning Herald (Australia)
BYLINE: Mark Chipperfield
He’s battled injury, defeat and a coterie of critics but, writes Mark Chipperfield, George Gregan is back for one last shot at World Cup glory.
Ask George Gregan, international sporting legend, millionaire cafe owner and the curse of referees everywhere, about rugby and the answers are polite, carefully considered and formulaic. But turn the conversation to American crime writer Elmore Leonard - his favourite author - and Gregan’s sphinx-like expression melts into a boyish smile. “The book of his I really love is Valdez Is Coming, which was turned into a movie starring Burt Lancaster,” he explains with sudden animation. “There are two people inside Bob Valdez, the hero of the book, and I think most of us are like that, especially in what we do - everyone sees the public side but only those close to you see the private side.”
Gregan’s choice of literary hero is intriguing. Bob Valdez - “hard looking with a dark hard face” - is a respectable town constable until he is tricked into killing an innocent man. In response, he methodically tracks down and executes his enemies. By the end of the novel, the quietly spoken outsider has become a man of destiny in the classic Western tradition.
George Musarurwa (“the chosen one”) Gregan is likewise on a personal quest and one that he approaches with equal solemnity. His mission? To play for Australia at the 2007 World Cup in France - his last tilt at the trophy Australia won in 1999 but relinquished to England (thanks to the boot of Jonny Wilkinson) four years later. Like Valdez, Gregan feels betrayed and is out for revenge - or at least his rightful place in the sun.
Watch an excerpt from Valdez is Coming:
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Like Bob Valdez, the hero of Elmore Leonard’s classic novel, the end of his great adventure is fast approaching. “You get one time, mister, to prove who you are,” says Valdez. For Gregan, that moment has finally arrived.
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Ryan’s Rules Revisted
Way before Elmore wrote down his Rules of Writing, one of his characters, Frank Ryan in Swag, was writing down his.
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3:10 to Yuma Poster
3 10 To Yuma
Finally, Lionsgate released the poster for 3:10 to Yuma. Don’t look for it on a movie tie-in edition. Lionsgate’s last minute artwork effectively eliminated any possibility that the publisher would have time to print a new edition of 3:10 to Yuma and other Western Stories featuring this posterior gunman waiting for the train, or is he going to rob it?. It’s a shame because it would have honored Elmore’s work, the foundation for the movie which bears little resemblance to his story.
3:10 To Yuma Screenplay Pdf
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New Stills from 3:10 to Yuma
Movies Online posted new photos from 3:10 to Yuma, which they call “a modern take on a classic Elmore Leonard western.”
See all the new photos here.
3 10 To Yuma 2007 Free
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Elmore at Madonna U.
Elmore was the guest speaker Thursday night at PAH-Fest Motown at Madonna University in Livonia, Michigan. PAH-fest which stands for Project Access Hollywood is the brainchild of Christopher Coppola (pictured above with Elmore), nephew of Francis Ford Coppola and Talia Shire (who he says is a big fan) and brother of Nick Cage.
PAH-Fest is described at its website as “a new kind of digital media festival that celebrates the stories and voices of everyday people. PAH-Fest invites people from all walks of life to tell their digital stories using today’s latest technology and pro-sumer equipment.”
Elmore attended a screening of Out of Sight and then spoke for almost an hour. He shared some anecdotes about the making of the movie and sequed into a detailed description of the book he is writing now, Foley’s Back, which reprises the Out of Sight character, Jack Foley, Cundo Rey from LaBrava and Dawn Navarro from Riding the Rap. He recited a few of his rules and took questions from the audience.
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52 Pickup DVD
DVD Savant
Reviewed by Glenn Erickson
1985 and 1986 were the years that The Cannon Group expanded their productions from small indie hits (Breakin’) to shows with big name talent. Menahem Golan and Yoram Globus would attend film festivals and put together deals on a napkin & handshake basis, out of which came a number of interesting pictures by directors like Anthony Harvey, Nicolas Roeg and Andre Konchalovsky. 52 Pick-Up brought in once-hot director John Frankenheimer to guide a script by Elmore Leonard, a now much better appreciated author. Reasonably well produced on Los Angeles locations, 52 Pick-Up puts Roy Scheider and Ann-Margret at the center of an exceedingly nasty murder/blackmail plot that never quite comes together
3 10 To Yuma Plot
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